The Birth, the Slumber, and the Reawakening of a Violinist
There
were three events in my life that happened and existed with a violin. The first
one is my first time learning it at elementary school during 4th
grade, the second being the last time I played it and put it in its box in 6th
grade, and the third being the reconciliation and meeting-again between me and
my old woody friend as a 1st year college student, last October 2018.
For this reflection, I want to focus on the general event of me welcoming the
4-stringed instrument into my life.
My
primary reflection begins with the question, “What is violin-playing?” In its most basic concept,
violin-playing is the act of playing the violin. It happens when the instrument
is rested on the shoulder of a person and supported by the left hand, while the
bow is drawn across the strings thus producing sound. For me, and all other
violinists, that’s what violin-playing is.
But
this act does not occur right then and there because, of course, you will need
an instrument. The history of my violin-playing began when my mom realized that
there was a solid music program in my school for piano, violin, and trumpet.
Although I didn’t really learn it, my mom thought that I already had a share of
my experiences with the piano and so she enrolled me for the violin music program
at my school, the Digos Seventh-day Adventist Elementary School. So we went to
a music store, purchased my first ever violin, and went home with excited
hearts.
I don’t really remember much the
specific details from 9 years ago, but I remember excitedly bringing my violin
to school for the start of lessons. My school had this thing called siesta-hour where all students stay in
their classrooms after lunch, with the doors and windows closed, for an hour of
sleep. The lessons are one hour each day, during the siesta hour. I wasn’t much
a sleeper anyway and was very much a hyper kid so losing my siesta hour for
violin lessons was better than being forced to sleep by my teacher.
The lessons were, of course, new to
me. Our teacher was nurturing and encouraging but the instrument itself was
just something hard to handle. The bow can get lopsided so many times and my
fingers also mistakenly press on the wrong areas of a fingerboard. But at the
end of week one, 4th grade Charlotte can already successfully play
Twinkle, Twinkle, Little Star.
Every end of the violin lessons at 1
o’clock in the afternoon, I go back to my classroom and sit down for another 4
hours of learning. And each time, I am always excited to come home so that I
can play open strings and simple pieces out in the balcony, forcing my
neighbors to listen to the shrieking violin played by a newbie.
After a few months, I already had a
decent violin skill at a beginner level. And it was time for me to perform in a
recital. As beginners, we were only assigned simple pieces to play on stage,
although I had to admit, I was quite a good beginner and was assigned the piece
of Minuet 1 by J.S. Bach. I practiced a lot during that time and I can still
remember the nerves and scared anticipation I had while waiting backstage to
perform my turn. When it was already me, my teacher set up the pick-up
microphone on the violin and then I played. It was not prodigious or any close
to a virtuoso level of playing but I was happy that I made it.
The lessons and the recital were
synchronized with the school calendar. After the recital, it was the end of the
first lessons and time for summer break. When I returned to school for 5th
grade and another year of violin lessons, of course, it would be expected that
a hyper child as I who only wanted to play outside would perceive those lessons
as tedious and more like a chore than an act passion. So then, I lost interest.
I missed practices and didn’t tell my mom about not attending paid sessions. I
stayed at the classroom for siesta-hours, not really sleeping, just secretly
playing with my other hyper friends.
5th grade went fast and
before I knew it, the 2nd recital happened. My violin teacher did
not see me improve so he gave me the same piece I played during the first
recital. I could not care any less. At least I did not have to practice and
learn much anymore. And then on 6th grade, we did not have a recital
during that time. We just performed during the Araw ng Digos and played during
school events. Again, I could not care any less. In my defense though, not only
was I a hyper kid, I was also a competitive academic during those days, joining
quiz bees left and right. So as expected, my violin lessons were indeed
overlooked.
And then came the moment for me to
put the violin in its case for the last time. I did not realize then that it
would be the last. After all, I didn’t give the instrument much thought because
I was pre-occupied with my high school application for the biggest national
high school in the city with the most renowned science program. So in 6th
grade, during our last violin lesson, I strapped the violin in its case,
secured the bow with its lock, zipped the case, and never held the violin in my
hands again. That was the day I put the violinist in me to bed.
Junior High School began and I got
into the Engineering and Science Educational Program (ESEP) of the Digos City
National High School. The academic environment was so competitive that because
of the pressure, I worked more and focused only on my academics. During 8th
grade to 10th, I was a top student in the first section of the top
science curriculum in our high school. So if you ask where the violin was in
the picture, I am going to have to answer nowhere.
My violin was in its box, at home, infested by bugs, as I persevered in school.
Again, I could not care any less. Music is out, academic competition is in. Real
fast-forward to senior high school graduation, I ended up being the
salutatorian of the 4, 000 high school graduates of the University of Mindanao
Davao. I had achieved great leaps in my academic life already but there is
still a void—a void that was once filled by music, art, and melodies. It was
time that I realized, I wanted to wake up
the sleeping violinist.
This is where my secondary reflection
begins. “What is
violin-playing to me?” Violin playing to me is my summon of the
decade-old memories I had with creating music and sound and the lifetime
memories I have had of my love for this wonderful thing called music. All throughout my junior high school up
to now, I’ve always enjoyed listening to classical music, for real and not for
show. I frequently played them while I lived my ordinary life day by day. When
I reached my first year in college, I realized that I did not anymore want to only listen to those pieces. I wanted to
create and make the sound myself.
It was during the night of October 11, 2018,
when I felt that I wanted to play again. I was surfing the internet and looked
at violins. As I scrolled further down, my desire to press the fingerboards
again and make the bow vibrate the strings got so much stronger. I planned on
getting a new violin instead of using my old one because the latter is already
unplayable. When I checked to see it on a weekend that I was in my hometown, it
was in a really bad shape. The pegs were already very loose that they turn by
themselves, the bridge collapsed, and its bow already very thin. It was so sad
to look at that piece of wood which gave me the music and the talent that I
love until now. That thing was worth a lot to me. I started my journey with it.
I told my parents I wanted to play
again and they were really supportive. After all, they were the ones who
introduced me to music. When I was still two years old, my mom would set up her
karaoke sessions and she would make me sing, and there, I gained a sense of
rhythm then and really just welcomed music into my life. See, the violin is a
sleek instrument which produces the most beautiful melody when played with
passion, and the ugliest of noise if played without art. It is not only about
me or my aspirations to be a great musician but it’s also about my family—my
mom who taught me how to sing, my dad who loved to play the keyboard, and my
sister who had enthusiasm for both. It’s not just the history of my elementary
days playing the violin onstage as a blank slate kid, but the violin is also
the history of my family, of my love for music, and of how ugly the world would
be without melody.
On October 15, 2018, I held a violin
again. It’s bizarre how the touch and familiarity of a simple instrument can
bring memories and feelings that were never really gone even after their many
years of silence. I brought it home and named it Cassini. And the moment I got
into the house, I unzipped the case, unstrapped the violin, detached the bow
from its lock, and held the violin in my hands. I have awakened the violinist
from her long slumber. She’s back.
Bringing back the violinist in me
had always been the plan. Maybe, while I was putting back my violin in its case
for the last time when I was in 6th grade, I have also unconsciously
created a big scheme for my future to be a person living not only with a career
but with art and music in her life. This was a dream I have buried for a long
time because it is much easier to get good grades than dedicate your will and
power to achieve that talent you’ve always wanted to have. To be an accountant,
to be a lawyer, and to be a businesswoman are such sad and boring careers. So I
called music back into my life because I know that it is what I really want.
Learning the violin also gave me the
insight that if I am to ever start a family, I want us to be bonded over music.
I can teach my children the instrument and let them explore others that they
can also play. Actually, if I close my eyes now, I can see a vision of me
playing the violin, my husband accompanying me with the piano, and our children
singing along to the rhythm of our delightful Sunday mornings.
Playing the violin was my past, my
present, and will be my future. It is not just an instrument that symbolizes my
musical talent for it is a lifetime token that my family, my experiences, and I
have gifted myself. I want to look at it during my last days on Earth and ask
myself, “Did I live a full life?” I
have no doubt the violin will play, “Yes.”
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